Subtle Twist
The first is a blouse, using Louise Cutting's Subtle Twist and a beautiful fabric (silk/cotton?) which I bought years ago from Emma One Sock.
As you can see the fabric has extra folds of fabric woven in to it to make heavy stripes. Heavy raw edged stripes, on what I assume is the intended right side. Now, and I know this is going to offend a lot of people, but I don't think it is "creative" to leave hems raw and raggedy, or stick your serged seams on the outside, or wear your underwear on top of your clothes. Don't agree? Bite my garters, it just looks lazy. Whew, sorry, I got a bit carried away there. At any rate, I am going to use the smooth and possibly wrong side -- it is so lustrous and beautiful. The picture doesn't do just to the color which is "natural" with a beautiful golden cast to it.
Vogue 8813
Next I cut out this Marcy Tilton dress (Vogue 8813), using a piece of polyester (!) fabric from Nancy's in Seattle. I haven't sewn with polyester since some time well back in the last century, but this is so lovely. It's a light, floaty piece of cloth with a pleasing crinkly texture.
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The problem with the fabric is that at some point (before it reached Nancy's) someone cut the selvedges off. This meant I had to establish the grain using the torn end, since I knew that to be true. Not a big deal, just kind of a stretch.
Vogue 1234
The final piece is Sandra Betzina's intriguing dress.
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I am using a gorgeous German rayon knit I bought from Emma One Sock. After consulting with Sis I decided to cut the center panel from a black knit -- the black and white on its own would be overwhelming.
Well, there it is. If any of them fails, you will never see or hear of it again.
1 comment:
I am with you! I say put the unfinished side to the inside. The fabrics are all quite lovely.
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